Sometimes, I get tired of how carefully you have to work with the term sci-fi in our country. You move your writing a bit beyond the limits of the possible and suddenly, you’re put in the literature ghetto. This is exactly how Ondrej Herec, the grand master of Slovak modern fantasy and sci-fi theoretician, phrased it. “Fantasy is a genre which, in our country, belongs to a literature ghetto. It operates parallel to the acknowledged ‘high’ literature. Fortunately though, it’s been slowly building its self-esteem.”
After tens of mystery stories and two “light-fantasy” novels, I wrote a collection of short stories called VIGIL. More than anything, I find it romantic.